» The aphorism in which I am the first master among Germans, are the forms of ''eternity''; my ambition is to say in ten sentences what everyone else says in a book -- what everyone else does not say in a book.
» Existence really is an imperfect tense that never becomes a present.
» What is good? All that heightens the feeling of power, the will to power, power itself in man.
» The architect represents neither a Dionysian nor an Apollinian condition: here it is the mighty act of will, the will which moves mountains, the intoxication of the strong will, which demands artistic expression. The most powerful men have always inspired the architects; the architect has always been influenced by power.
» One often contradicts an opinion when what is uncongenial is really the tone in which it was conveyed.
» Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
» Art raises its head where creeds relax.
» We have art in order not to die of the truth.
» In the beautiful, man sets himself up as the standard of perfection; in select cases he worships himself in it. Man believes that the world itself is filled with beauty --he forgets that it is he who has created it. He alone has bestowed beauty upon the world --alas! only a very human, an all too human, beauty.
» Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man -- the domain of aesthetic judgment is therewith defined.