David Antin Quotes

» You pay your money, you take your choice. I get the audience my language attracts and I lose the ones it repels.

» While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.

» While I don't script and I don't use other performers, I think my taste for underlying precision gives me something in common with Allan and George Brecht.

» When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.

» When my mother left her second husband, she wrote her autobiography and presented it to him for his approval.

» When I got to the reading all the work, I was reduced to being an actor in an experimental play that I'd already written. And I didn't want to be an actor.

» There is probably no oral society that fails to mark the spatial distinction of left and right, peculiar as this distinction may be.

» There are editing procedures for talks just as there are editing procedures in jazz improvisation.

» The Sophists' paradoxical talk pieces and their public debates were entertainment in 5th century Greece. And in that world, Socrates was an entertainer.

» The self is an oral society in which the present is constantly running a dialogue with the past and the future inside of one skin.

» The ancient Greek oral poets all had this anxiety about the deficiencies of their memories and always began poems by praying to the Muse to help them remember.

» Stories are different every time you tell them - they allow so many possible narratives.

» My way of thinking is very particular and concrete. It doesn't follow a continuous path.

» My rejection of the idea of entertainment in its current form is based on the audience that comes with it.

» My mother turned into a professional widow. She couldn't understand why I wanted to be an engineer; she thought I should be a chicken farmer.

» It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel.

» I've always had a strong feeling for the Statue of Liberty, because it became the statue of my personal liberty.

» I'm standing up thinking. Anybody who wants to listen is welcome. If not, I'm happy to see them go.

» I'm not sure what theory is, unless it's the pursuit of fundamental questions.

» I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.

» I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.

» I was trying to find out what it was that everybody else understood without giving up my stubborn and hard-won lack of understanding.

» I wanted to be an inventor, whatever I thought that meant then. I guess I was thinking of Edison or maybe James Watt. Or maybe even Newton.

» I tended to emphasize the secular, the casual, the colloquial, the vernacular against the sacred.

» I reserve the right to tell shaggy dog stories or even common jokes as part of what I'm doing. I don't give a damn if half the audience walks out.

» I learned enough Hebrew to stagger through a meaningless ceremony that I scarcely remember.

» I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore.

» I hardly remember how I started to write poetry. It's hard to imagine what I thought poetry could do.

» I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.

» I didn't think about whether I was writing poems. I was thinking. And the more I was thinking, the more there was I didn't understand.

» I can manage a prose format as long as I keep closer to Laurence Sterne than to Henry James.

» I am quite unsatisfied by the distinctions between the oral and literate.

» From this entertainment industry, may the gods of language protect us.

» For several centuries what has passed for song in literary circles was any text that looked like the lyrics for a commonplace melodic setting.

» Disney made a fortune out of inventing the businessman's idea of the imaginary as the contradictory of the businessman's idea of the real.

» Children frequently sing meaningful phrases to themselves over and over again before they learn to make a distinction between singing and saying.

» A myth is the name of a terrible lie told by a smelly little brown person to a man in a white suit with a pair of binoculars.

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